Robert Atkins  


Against the Storm by Robert Atkins

July 2024 - Against the Storm

About the Image(s)

This month’s image is a re-processing of an image that I took several years ago. I would have to go back to look and see if I presented it here in Group 96 before, but if I did, the new version looks significantly different, and is a more compelling image.

The image was taken near Ridgway, Colorado, in the Owl Creek Pass area. It was that year I believe the first storm of the season, and I got a couple of interesting images that day. In this one, I was excited by the layering of the landscape, and was pulled in particular by the cluster of trees on the mid-distance ridge, which collectively seemed huddled against the storm. I’ve always had a difficult time processing this image to get the subtle balance right between pulling out the distant details into greater clarity vs. pushing them into the storm. I think I have done a balance here that works, and hopefully yields a bit of a 3D effect. I’ve also shaped the light a little to lead off into the storm in the upper left.

Let me know if you think I’ve captured the drama of the storm convincingly or if there are additional improvements you would suggest.

Tachihara 4x5, Velvia 100 Film


This round’s discussion is now closed!
8 comments posted




Rick Hulbert   Rick Hulbert
Hi Bob,

Wonderful scene!
I think you did a great job in conveying the sense of depth.
The image beckons the viewer to explore the scene in search of any sense of detail in the distant context . . . and that exploration would be successful!
This is the kind of image on a gallery wall that would encourage a beholder to have a seat and contemplate the subject over time.
  Posted: 07/10/2024 15:14:26
Robert Atkins   Robert Atkins
Thanks Rick. It took a lot of back and forth to narrow into a look where the distant detail was there, but just barely. Subtly is sometimes not my strongest thing, so I had to fight to not reveal too much.   Posted: 07/15/2024 20:18:19



Gloria Grandolini   Gloria Grandolini
(Groups 15 & 95)
Hi Robert, I truly like your image - seems almost a painting to me. I like how the trees in the foreground are very sharp and then the storm increasingly takes over the other trees and they dissipate in the distance. The color combination is also very pleasing to the eyes. Wonderful shot.

As this is my last month with this group, I take this opportunity to thank you Robert for your insightful comments and very efficient administration of the Scapes group.   Posted: 07/18/2024 21:23:15
Robert Atkins   Robert Atkins
Thanks Gloria. I've enjoyed both your images and your comments. You will be missed. Will try to visit you in your new group from time to time.
  Posted: 07/19/2024 12:28:16



Haru Nagasaki   Haru Nagasaki
Hi Robert,
Thank you for sharing.
I envy you facing fantastic view with great condition.
I think you captured the scene of layers beatifully. Composition wise, I see it perfect.
I might try re-edit some point though.
Currently, my eyes cannot recognize 5 yellow layers, maybe 3+.
Also I cannot detect the mountain right far back. So I looks big white empty space in upper left but it should not be looked lik that. That space actually captured another layers of canyon and flowers, which are hided now.
Finally you might want to run nise reduction just a bit.

  Posted: 07/19/2024 04:36:32
Comment Image
Robert Atkins   Robert Atkins
Thanks Haru. You have focused in on exactly what I have been battling - how much to bring out the distant portion of the image. I keep going back and forth. I like revealing the detail, but at the same time, it seems to me that as I do that the mood of the image is somewhat lessened. It is not a technical thing, it is a choice thing, and I can't seem to make up my mind. I am also finding that the print comes across differently - again not as a technical thing (my monitor is pretty well calibrated), but the aesthetics are different for such a subtle image. I can get something I like on the screen and it is a gray lifeless mess in print. I will keep working on - actually I have been even before the comments, and I shifted in the direction of revealing more.

I will look at the noise too. Surprising there is a problem there since noise is generally not an issue for scanned 4x5. Where do you see noise?
  Posted: 07/19/2024 12:26:27
Haru Nagasaki   Haru Nagasaki
Hi Bob,
Maybe my comments were not clear enough, I am afraid. Please see the trees in front. It looks noise because of my monitor though.
The prints might shows the 5 layers better compared with the one on the screen. As far as I see it on the screen, it has big whites in upper left. It does not work well for me without surgery.
  Posted: 07/19/2024 14:08:41
Robert Atkins   Robert Atkins
Thanks for clarifying further Haru. I think we are on the same page. Your version improves the upper left, and I am working to do something similar to bring detail to the upper left. I will also look more closely at the trees in front. I can see they are "crunchy". I am not sure whether that is noise, sharpening, or the impact of changing to 8 bit sRGB.   Posted: 07/19/2024 19:11:19