Diana Edelman  


Elephant Seals by Diana Edelman

February 2025 - Elephant Seals

February 2025 - Diana Edelman

Original

February 2025 - Diana Edelman

Original 2

About the Image(s)

Shot with a Fuji XT5 camera at 1/320 sec at f 6.4, ISO 500, focal length 75.4 with a 70??“300 mm lens. Taken about 8 am on the stretch of beach where Elephant seals give birth annually, close to San Simeon, CA. You are not allowed to go on the beach but have to take photos from a walkway adjoining it.
My goal was to capture elephant seal behavior. These two juvenile females were a little distance from the main area where the mature females were giving birth and nursing pups. Their interaction caught my eye, especially this trumpeting in unison. I deliberately left apace around the edges for future cropping.

Editing: I ran the raw version through DxO raw to eliminate noise and enhance sharpness. In Lightroom, I then played with the global sliders-exposure, contrast, highlights, shadow, whites, blacks, clarity, dehaze, and vibrance. I removed the piece of whitened driftwood to the left of the head of the top seal that was quite distracting, and also removed a piece of orange kelp to the right of the same head for the same reason. I decided to zoom in more on the front half of the seals and to rotate the angle to be a little more interesting, using the crop tool. To separate the seals a little more from the sand and make them the lightest element to draw the eye, I masked the lighted sand areas with a brush and toned them down. I then added a light vignette for the same reason.

Finally, since the seals were very close in color to the sand, I decided to see if eliminating the color would yield more textures and make the seals stand out more, so I exported the adjusted image to NIK Silver Effects and chose #023 wet rocks as the one that I liked the best. It really brings out the textures in the seals and the sand.


4 comments posted




Denny Curry
I like the shift to monochrome. I agree it helps with texture. One thing I am wondering, is there a way to isolate the face of the seal in front? Her face kind of disappears into the body of the one behind.

My favorite part of this image is the in-unison trumpeting. It makes me want to be there.   Posted: 02/11/2025 13:46:17
Diana Edelman
Thanks, Denny. I suppose to set the front seal off a bit I could slightly highlight its face with a mask and brush in Lightroom. I think there is a Bruch feature in Photoshop that lightens as well, but I have never used it. I cannot blur the body of the second seal behind it, so this is the only solution I can think of. It would apply to the color photo as well I suspect.   Posted: 02/21/2025 00:09:55



Dean Ginther   Dean Ginther
Diana,
I also like that you caught the moment when they were both announcing themselves; maybe siblings? I would not do a crop where their bodies are truncated near the last third. I would either crop in tighter on their heads and neck area or keep the entire body. I think I like the color of the original a bit more than the b/w conversion.   Posted: 02/15/2025 03:06:57



Rita Johnston   Rita Johnston
Diana, I understand the difficulty of getting a live animal shot from a distance. I like best the original 2 shot that has the whole body of each seal. The shape of the front seal is nice, and worth including. To me the seals in brown looks appropriate too, but I like the B&W processing too.   Posted: 02/20/2025 17:00:39



 

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