Darcy Quimby
About the Image(s)
Camera: Canon 80D ISO 640 f5.6 SS1/400
Yes, I'm still in the learning circle of my new camera. I went back to my summer trip and found this waterfall. What I thought was amazing is how the fresh water from the waterfall melts and flows into the glacier silt water. It almost looks like oil and water.
In post I cropped in on the main part of the waterfall as the sky did not seem to add anything to the picture. In ACR I brought down the highlights in the water and brought out the shadows on the rocks and trees. In photoshop because I still had some hotspots in the water I burned some areas. I then put a brightness contrast layer on and selectively applied brightness to the water.
11 comments posted
You had some lovely soft, yet directional, light from the side; this definitely helped lend some interest, especially in the foliage.
Shutterspeed and waterfalls is always a matter of individual preference. I also find that what I want to achieve will vary from one fall to the next. Personally, I tend to want to go either for a crispness, or a more creamy look, but I generally avoid something in between that feels like I didn't commit myself. Here I think I would have gone for a slightly longer exposure; my thinking would be that there's not enough violence here to warrant trying to accentuate it by capturing the detail of motion, and dragging the shutter would help to suggest the direction and softness of the flow. I'd probably have gone for about .4 to .6 seconds. As I said, though, this is just a matter of personal taste.
I like the dead log across the fall. Sometimes this can act as a visual obstacle that impedes movement in the image, but here I find that the strong diagonal adds some energy and helps to define some depth.
I like your crop . I think you could have trimmed a bit off the left and bottom; the colors in the water are lovely, but to my eye they drift towards the drab as one gets to the lower edge.
I like your edits; very gentle and unobtrustive. I'd say you did an excellent job with the surface of the water, which is always tricky.
I "fiddled" a bit with the image (no surprise, there, huh?). I limited myself to what I could do in LrC, but I did make extensive use of brush masks intersecting with luminance ranges; this would of course have been much easier to do in Ps with luminance masks. My efforts accentuated just a bit the light striking the foliage, brought the shadows up a bit further in the rocks around the cascade, cooled the upper end of the fall a tiny bit, and accentuated the contrast on the deadfall. I also simulated a slightly longer exposure by masking in the waterfall itself and *reduing* the dehaze a bit.   Posted: 05/07/2023 09:23:46
It would be good if the oil and water of the pure and brackish waters were more evident - is there a way to have brought that detail out more?   Posted: 05/17/2023 18:37:35
I also prefer the slower softer look of water. If I remember right there was a non photographer on this trip so not alot of time to plan.   Posted: 05/24/2023 16:26:46