Jon Porthouse
About the Image(s)
I was touring Rosedown Plantation State Historic Site and came across this scene in one of the outbuildings. The carriage was silhouetted against the lush green forest behind, and the broken wheels and general disrepair gave an aura of being abandoned as the world around it had moved on. I wanted to capture an image that conveyed a sense of loss at being left behind for the new and improved.
Technical Details: Captured on a tripod with a Canon Rebel SL3 with EF-s 18-55 F/4-5.6IS STM lens @22 mm. Manual settings of F/16 and 0.4 seconds at ISO-100.
Lightroom Processing: Convert to black and white. Adjustment of exposure, tone and presence. Added circular gradient to further push the shadows and tone down the highlights for better balance. Added global toning to warm the image up.
Wrestling with the tonality of the forest behind to convey its presence but reduce its distraction was the biggest challenge.
This round’s discussion is now closed!
6 comments posted
This is the kind of image that put your mind into wondering, why or what did happen. Technically the details are good.
You are right, the woods behind is a challenge as if you darken them too much, will take the subject away.
  Posted: 05/09/2022 07:50:57
Yes, we can bring down the distant brightness, but I must suggest, only very little. Why? I feel the powerful illumination really sets the stage for the carriage to be in silhouette: this feature highlights the overall composition, including the contrast between the bright background and the structure. This a fine composition, Jon!
Though Debasish attempts to bring this illumination down (and I agree it should be) I feel it is too much. I suggest we need to maintain a great deal of the "contrast" between light and dark to allow the full artistic nature (in a natural way) present itself.
So, in PSCC "Burn" the bright areas gently using these settings: 1. small brush with 5 percent for Highlights, then, 2. continue with 5 percent for Mid-tones on just the darker portions within the bright area. The result will allow for large screen (and print viewing) without stress and keep the highlights strong enough to maintain the reasons in the aforementioned comments.
Perhaps Debasish can do the same using his described method.   Posted: 05/15/2022 12:47:44
I like what it did to the barn's interior, but I do think this ended up being a bit heavy-handed in the center of the scene. Thank you for your suggestions to use a brush to tone that back just a hair. I will work with it a bit more. I appreciate the insights.   Posted: 05/22/2022 07:06:54