Brenda Fishbaugh, QPSA
About the Image(s)
Canon R5, Canon RF 100-500, handheld
ISO 400 500mm. f/8.0 1/1000 sec
We visited Little Big Horn in Montana on our Wild West trip this September. While my husband was driving around looking for the actual area that troops arrived, departed and fought, I saw a herd of wild horses. They were far off (see original for partial herd) and the light was so-so.
Horses are feral and not a "Nature" pic, so anything goes (other than latest AI) and I would enter them in PSA Color or Mono.
The pic is fairly static, just two horses standing in sagebrush, but I had fun working on them. I "selected subject" and lightened them, then chose background and darkened the background. I added some radial gradients of subtle gold light coming down to the horses, to make them more interesting. I used radial gradient on their eyes to make them a bit more alive, but I don't thing that was as effective as I hoped. Noise and sharpening applied.
Originally, I cropped in, but actually went back out so it was more obvious they were wild, or at least not on a farm.
I actually like the unusual look I achieved, regardless of whether I could garner an acceptance with some ordinary looking horses not doing anything. But I'm open to any ideas on what you might do differently. Thanks!
This round’s discussion is now closed!
31 comments posted
I'm with Robert on the horses being lightened a little too much for my personal liking... I also think the added warm-tone radiants changes the horse's color too much from the original. I like the brown tone of their natural coloring, and especially with the horse on the right, the golden radiant actually gives the horse an appearance of being both brown and blondish in color (after playing with the original in Lightroom, it seems it is present on the original too).
My only other suggestion is to keep playing with the crop and the placement.
I took a real quick stab at changing the whit balance, black balance, shadows, highlights, color saturation, selective masking for contrast and bring more shadows up, then cropped as with the attached for just a slightly different look... not a drastic change; more of a tweak. This version made from the original.   Posted: 11/04/2023 17:40:00
  Posted: 11/07/2023 15:42:50
It's OK to have the foreground in clear focus, of course.
It's also OK to have a bit of blur in the foreground... and that foreground blur can even add to the mind trickery of "depth."   Posted: 11/08/2023 17:04:44
So I moved to another version of the pair. In this one, we don't have the two horses looking at each other, which is disappointing, as that gave us a "round and round" on the composition. But we do have their bodies free of out-of-focus sagebrush!
I did add just a bit of yellow to the horses, but no "rays of the sun" made with giant radial filters, so they are much darker than they were. The DeHaze slider was my best friend on the horses, and made their sad wild horse coats look much richer.
Ed mentioned the sagebrush color being off. And James reworked the image adding some more life to the sagebrush. So I added a tiny bit of blue and a tiny bit of green to the Background Selection, which I think added some nice contrast to the warmer color horses.
Gotta say, these horses are scarred and full of burrs, ticks and the sorrel is very pregnant, but ribs showing, probably from worms. One of the horses in another image has a huge bite that healed horribly. Not so much fun for "living free".
Thoughts? Thanks!   Posted: 11/14/2023 19:07:29
The colors on this version are so much better to my eye... the brown tone of the horses looks much more natural ... and the sagebrush very much has the silvery-blue color tone that also looks and feels much more natural to my eye.
Well done!   Posted: 11/15/2023 08:31:33
My understanding was that a professional images recommend just the subject in focus. That's why we pay $20,000 for a f/2.8 lens. That's why software lets us sharpen the subject and blur the foreground and background (although this is not allowed in Nature, PhotoJournalism and Travel PSA competitions).
I was actually mad that I was at f8.0 instead of f/7.1, which would have blurred my background better with my lens at 500mm.
I understood that only in landscapes (maybe architecture, etc) to we potentially want everything in focus and use focus stacking to get that look.
However, this pic is a hybrid--a portrait and a landscape--and because its not PSA Nature, I can do what I want with it.
I may try putting the horse head facing the other horse on this image...cut and paste...I've never done that, so it would be a good lesson.
And I love Sunil's Monochrome, which solves a lot of these issues. We are traveling now, so I'll try everything before November ends.
  Posted: 11/19/2023 08:57:24
"Thanks, Robert. I often shoot at 20,000 ISO for my night birds, and use Photo AI to remove the noise. You bring up some great points and have started a wonderful discussion!
My understanding was that a professional images recommend just the subject in focus. That's why we pay $20,000 for a f/2.8 lens. That's why software lets us sharpen the subject and blur the foreground and background (although this is not allowed in Nature, PhotoJournalism and Travel PSA competitions).
I was actually mad that I was at f8.0 instead of f/7.1, which would have blurred my background better with my lens at 500mm.
I understood that only in landscapes (maybe architecture, etc) to we potentially want everything in focus and use focus stacking to get that look.
However, this pic is a hybrid--a portrait and a landscape--and because its not PSA Nature, I can do what I want with it.
I may try putting the horse head facing the other horse on this image...cut and paste...I've never done that, so it would be a good lesson.
And I love Sunil's Monochrome, which solves a lot of these issues. We are traveling now, so I'll try everything before November ends."   Posted: 11/19/2023 09:00:59
My first effort was to take the sorrel horse's head and put on the newer version, so both horses would be looking at each other. However, the difference from her elongated neck to turned neck did not work at all, regardless of transforming size and shape. I then tried to bring the better pinto horse's head into the original composition, again with no luck!
Next, I went to monochrome (thanks, Sunil), as it does solve a lot of the issues. I tried a couple dozen versions and decided to go dark and gritty, which is what Sunil had done.
I also used a tight crop at the bottom that brings us closer to the horses and we see how deep in sagebrush the horse on the left is.
I used a few different tools to remove the white out of focus sagebrush that was on the sorrel horse, and I think its less distracting.
What I did learn doing this and listening to our group, is that this is not going to be a competitive image. I love horses and had horses, so I think I was not looking at this objectively. As I worked and worked on it, I realized that this was not going to be what I hoped. Thanks so much for helping me get there...disappointing as it is. Time to move on to another photo!
  Posted: 11/26/2023 14:30:57
I also like the reworked color image you did, keeping the sagebrush a little more true to color with that silvery blue.
I think I prefer this monochrome image though... and even if you decide not to enter it into competition, you could post it online in various social media formats, and even print a copy for you to enjoy yourself at home either north or south!   Posted: 11/27/2023 08:49:10
I appreciate you keeping the conversation going...you are great at that!
  Posted: 11/27/2023 15:59:32
We risk losing so much in the "digital realm" ... we must put in extra effort to overcome that risk. :-)
Printed in color, even if smallish in size, and hung proudly above the work station/desk/computer or even in the family room would be a lot of fun I believe!   Posted: 11/27/2023 17:03:37