Steve Estill, APSA, EPSA  


Forest Autumn by Steve Estill, APSA, EPSA

December 2021 - Forest Autumn

December 2021 - Steve Estill, APSA, EPSA

Original

December 2021 - Steve Estill, APSA, EPSA

Original 2

December 2021 - Steve Estill, APSA, EPSA

Original 3

About the Image(s)

The moss-covered wall and the stream were captured while looking for fungi in Sneaton Forest. They were each HDR images compiled from 3 frame exposures, using Lightroom. I thought they'd make a good background, so using the stream as the first layer I placed the wall above it and used a layer mask to make the water flow from the wall.
I used several different mushrooms which I separated from their backgrounds using Topaz Mask AI and placed them around the image.
I then stamped up and duplicated the new layer which was treated with Redfield Quad Pencil in Soft Light mode at 60% opacity. This made the moss even mossier.
The Goth (from a previous year) was placed and masked so that she looked out from the wall with reduced opacity. The layer was duplicated, and her eyes and mouth increased in opacity using further masking. These two layers were stamped up and the original two hidden. The new layer was duplicated with the bottom layer in Luminosity mode and the top one in screen mode. These two were stamped up, the originals hidden, and the opacity adjusted to suit.
I stamped up again and used Viveza 3 to change the contrast, structure, and saturation. While this improved the image, it was too harsh for the autumn feel I was looking for, so I duplicated the layer and used a texture from Topaz Studio on the top layer, reducing its opacity to bring back some of the colour from below. I used a layer mask with a large soft brush to bring out the centre of the image more.
Stamped up and there you have it. I love Sneaton Forest!


This round’s discussion is now closed!
5 comments posted




Alan Kaplan   Alan Kaplan
(Group 54)
You've mastered blending a face into a beautiful background. Thank you for the detailed description of your workflow.   Posted: 12/03/2021 17:03:15



 
Wow, those mossy rocks are wonderful in their original. And your addition of the mushrooms works well. I wonder if the forest sprite could be less pronounced though. Us humans have people spotting instincts built in from birth, so even if she was less dominant in your image, we will still see her, probably before we see the rest of the forest glen.
I tried to dim her down, so you can see what I mean. Impressive compositing. Well done.   Posted: 12/03/2021 17:34:52
Comment Image



Candy Childrey   Candy Childrey
Steve, the wall, stream and goth are blended together so well, and the mushrooms are placed perfectly. I feel that the goth's opacity could be reduced further. Maybe the area in the top right is a bit too bright. An overall well composed image.   Posted: 12/04/2021 14:54:06



Jan Handman   Jan Handman
Lots to see in this image Steve. Those mossy rocks are delicious and the stream is so lovely. I kind of like the darker exposure of the originals because they seem richer and more moody, but that's just personal preference. You've done a fabulous job of blending all of the elements with one another. I think I agree with Fran and Candy about the Goth/Sprite perhaps being faded back a tad. You are a composite master. Nicely conceived and executed! I'd love to have a go at wandering in your Sneaton Forest.   Posted: 12/12/2021 15:17:08
Steve Estill   Steve Estill
Thanks Jan
The lighter exposure was due to the texture, which I added to make it look a bit misty. Sneaton Forest is wonderful - I can lose myself for hours in there (much to Viv's chagrin, because the mobile reception is nil!) There are waterfalls, bridges and secluded paths in there too - a real dream!   Posted: 12/12/2021 15:47:34