Lance Lewin
About the Image(s)
This image is part of a multi-image photo-essay I am preparing on the slow erosion and eventual demise of a once intricate and beautiful beach landscape on the northern end of Long Boat Key, Florida.
Manatee and Sarasota counties have just finished a large project to stymie further progress in the unfortunate erosion of the beach: later in March I will be photographing this progress and what the new landscape looks like. My plans will juxtapose images, like the featured one, along with the more barren and the less aesthetic appeal of the current beach-scape. (A full text will accompany the photographs).
Featured image c.2013 Digital Exposure; Monochrome conversion
This round’s discussion is now closed!
15 comments posted
you managed well to hide the third stump behind the second and by doing so, you encapsulated the the sun on the left third to counter balance the while the other two stumps on the right side. Nicely done
  Posted: 03/05/2023 20:09:26
However, this particular image was exposed while the fog was shifting: I needed a Monochrome for this DD group, and currently working on a photo essay with this series of images decided to alter this (2013) image that otherwise did not imbue the same Fog embraced aesthetic as the others.
See the original color version (featured work) as the Fog was lifting. Also, see one other original color frames that captures the actual event on this amazing evening.
Thank you for your positive critique!
  Posted: 03/06/2023 06:54:54
back to the picture:
1. The lower frame on a vertical crop is outstanding
2. Comparing the Sepia ( yes sepia :) ) to B&W ; the color version below - both are better in my view than the Sepia and convey your story better.   Posted: 03/06/2023 10:01:51
"Points to Ponder" .. hope the following addresses your inquisition ...
Visual Expression Variables: 1. in a critique room setting it is vital and (expected) for participants to share the entire structure of how they came to a final piece. 2. Within an exhibition setting many (not all) artists include a very shallow description beyond a title/category and signature, and 3. alternatively, other artists (or by choice of the gallery or museum curator) add detailed information about the artist and the project before patrons view the work.
For many patrons of the arts, and artists, articulating the background on how/why an image was designed and presented can only improve the over all "appreciation" of the work. Within the context of 21st century photography compared/viewed against the backdrop of "classic tradition" based photography, makes such background information even more relevant for the modern spectator.   Posted: 03/06/2023 14:39:41
(Groups 12 & 37)
Yes, I will share the final work in the near future.
Also, you may be interested in reading my article in the March PSA Journal; available Free online of course. Look forward to your comments/questions. Thank you, Lee Ann.   Posted: 03/11/2023 17:30:48
(Groups 50 & 92)
For exhibition and/or publication, the original color versions will be used.
  Posted: 03/21/2023 16:35:16