Ruth Sprain
About the Image(s)
The last few weeks with “stay at home” orders have given me time to take photos around our house. As an extension of last month’s “mysterious man” photo, I took some images of my husband on the stairs and used a long exposure for the first original. A second original allowed a ghost image of a more exact man’s head. The third original of windshield glass on a junkyard car was added to the composite image to blur the edges of the image to make them more mysterious. The original image was taken on a tripod with an 8-second exposure at f 22. What thoughts do you have to improve the image or make it more mysterious?
This round’s discussion is now closed!
12 comments posted
Your work is nice and I've really liked the motionlessness. However, I feel discomfort with the iced background. It looks like doesn't fit the mystery of the photo. And also at the upper side, the gap over the head of the man looks like short. A little more may be more impressive. But generally, the photo have impressed me.   Posted: 05/02/2020 15:57:33
You are off to a good start! Your story of the man walking down the stairway is interesting. When I look at your photo, it makes me think of an old film movie about a man in a hotel. I also see the handrail as a valuable element to this story.
I agree with Randy; the windshield glass isn't working. Nor is the white molding on the landing area at the foot of the stairs and the modern texture of the carpet; the carpet is at the forefront of the frame, and the first thing you see entering.
In my opinion, the way to add mystery to a photograph is through dark shadows. Control your lighting and have it in only the essential areas that contribute to your story. My suggestion is to look for an old film, grungy, graphic, or pencil-type textures instead of the windshield glass because it doesn't seem to go with the scene. Then I suggest changing the color or darkening the white baseboard molding because it is drawing my eye to that part of the frame; it doesn't add to the mystery. If you put a texture on the carpeting that would help age the scene you photographed.
Lastly, I did a quick edit with old film-like texture. It is just a suggestion to help you. I hope you persevere with finding your vision for mystery in photography.
There is still time this month to submit another image! You can do it, Ruth!!
Best regards,
LuAnn
  Posted: 05/14/2020 11:04:27
A number of you didn't like the altered glass background, so I tried a version with a different background. It's dark clouds which I darkened and used with about 50% opacity on the sides. Some of you didn't like the white molding either, so I tried doing a content aware cloning to hide the line of the molding. Since the photo was taken at my house, I'm okay with leaving the carpet as it is. Do you like this version any better?   Posted: 05/24/2020 14:37:13
One of my favorite artists for mysterious black and white photography is Olga Karlovac. I have two of her books. She will often use things over her lens like nylon or thin fabric to distort what she shoots. She also frequently distorts the person's face and body shape, so they only look like a human, but the details (hands, faces, ears, eyes) are obscured.
Check out her website: olga-karlovac-photography.com
I am looking forward to your comments; I know you can do this.
LuAnn   Posted: 05/19/2020 11:11:34
Thank you for your suggestions for using filters to make my image more mysterious. They are interesting. I'm a little concerned about making the image too dark, since it already has a lot of blacks and deep grays.   Posted: 05/24/2020 14:44:55
(Group 85)
I agree that the crown molding at the bottom of the staircase and the carpeting is too distracting... darker shadows work better. I like how you used content-aware to get rid of the molding. And darken the carpet, you don't want to know he's in your house! Lol   Posted: 05/25/2020 09:09:17